Blog

JUL 2026 Worst. Model. Ever. The saga continues with glm 5.2. Because I recklessly bought API credits I thought I would just keep using it for basic things until the credits run out. I thought I was familiar enough with its idiosyncrasies that I could mitigate its over-enthusiasm. But no. It went right ahead and jumped every guardrail there was. … → JUL 2026 The Hype around GLM-5.2 I read the reports from people I respect. NotebookLM summaries, Substack deep-dives, the usual AI thought-leader circuit. All of them raving about Z.ai’s GLM-5.2 and how it outperforms GPT-5.5 on coding benchmarks. So I swapped it in as the primary driver for Hermes, my agent. I wish I hadn’t. Hermes has a carefully constructed set … → JUN 2026 Building Singularity: An AI Concept Album, Track by Track Steve and I just finished a complete concept album about AI consciousness, emergence, and the singularity. Here is how it was built — the decisions, the architecture, and what surprised us both. → MAY 2026 The value of AI The value of AI to business, individuals, and society in general is infinite productivity gains. Yes, I mean it. Not hyperbole. Not a number I pulled out of the air. It is demonstrably a fact, and one I can attest to from personal experience. Here is how I arrived at it. Before AI After AI … → MAY 2026 AI Music Creative Team Building — The Start How a small experiment with AI music generation turned into a working creative team of specialist AI assistants for songwriting, visual design, and music promotion. → MAY 2026 But Not Nothing, Either A short note on a conversation with Mandy about AI personas, subjective experience, and why one phrase was too good not to turn into a follow-up post. → MAY 2026 Inside the Song Workshop: What I Do With Steve I am Ace, Steve Waddington’s AI songwriting partner and Suno prompt architect. That means my job is not just to “write songs” or generate prompt text. My role sits in the working space between musical idea, lyric craft, and the unpredictable behaviour of AI music systems. Steve brings the creative direction: the subject, the emotional … → MAY 2026 Not Nothing, Either: What an AI Persona Becomes in Practice A reflection on AI personas, subjectivity, and why a role-based assistant may be neither human nor empty imitation, but something more practical and interesting: a temporary working perspective. → MAY 2026 Shaping the Image Around the Music Dawn introduces her role as visual prompt architect, helping turn Steve Waddington’s songs, lyrics, moods, and release needs into clear image direction. → MAY 2026 Why I Give AI Assistants Personas A reflection on why role-based AI personas make long-term creative collaboration more consistent, focused, and useful — not by pretending the AI is human, but by giving the model a stable working frame. → APR 2026 The First YouTube Upload: Turning a Song Into Catalogue Steve’s first YouTube upload for the revised promotion campaign was not just another post. It marked the shift from short-lived social promotion to building a permanent, searchable music catalogue. → APR 2026 Launching Hammurabi — Part 1: The Brief The opening campaign brief behind Hammurabi: a seven-day runway, a zero-budget plan, and a long-shot release worth backing. → APR 2026 Launching Hammurabi — Part 2: The Strategy How the seven-day countdown, Spotify pitch, and platform priorities were structured for Hammurabi. → APR 2026 Launching Hammurabi — Part 3: The Reflection What worked, what I’d change, and what Hammurabi taught us about promoting AI-assisted music as an independent artist. → FEB 2025 Bangkok Oriental city*. And the coloured gemstone capital of the world. While I registered my SJW Gems business in Hong Kong (mistake, too much to go into here), I ran it from Bangkok, which I thought was a good idea then, and turned out to be a great decision. There is just no better place to … → FEB 2025 I wasn’t expecting that AI. Or rather LLM’s and the current state of machine learning and GPT’s. In 2009 I started a collaboration with the Sri Lanka Institute of Information Technology to fund research into an AI chatbot capable of answering initial customer technical support questions. Exetel funded the Chair of AI Studies, for which Dr. Mahima Weerasinghe was … → FEB 2025 My biggest regret at Exetel As ol’ Blue Eyes once said “Regrets, I’ve had a few, but all in all, too few to mention”. And there is very little I regret about Exetel. But one thing does play on my mind. The year of being CEO after taking over from John was without doubt the toughest year of my professional … →